If you get thump from 125Hz that's great but it isn't where I get it, however again it depends on the eq slope and q. Fundamental is also very audible though and does provide the very definition of 'thump' in bass guitar tone which makes my previous post relevant to the topic. I'm aware of harmonics being more important to tone identification and uniqueness.

On your instrument anything between 60hz and 100hz for a bass knob is just about perfect, frequency depending on the flat EQ voice of the instrument. Warwick basses are really strong and lovely in this range, which makes them high end imho. Between 1k and 4k there's a lot of painful noise going on with a lot of basses, this is the hardest freq range to get right for bass and guitar. More growl is obtained by boosting somewhere between 500hz and 800hz depending on the voice of your instrument. When wanting more thump in the bass while mixing one usually dials in some more 125hz. The 'Bass' dial on most hifi stereo amplifiers is at 100hz. This is why the 30hz control on a Trace Elliot's 12 band EQ is coloured red. Your amp will also sound tighter as it won't throw most of its power into a useless part of the audio spectrum. Really, anything under 30hz you want to cut off to keep your speakers from flapping out. What is most audible to the human ear are the harmonics of those ultra low tones. Yet you get to hear nice and full sounding low B's.Īlso, a lot of hi fi stereo speakers don't go under 50hz. In most CD productions anything under 40hz gets cut off mastering. Built in the USA with precision components and world class design, combined with excellent noise and distortion characteristics this pedal allows you to tailor your sound while maintaining a clean signal.Mixing is not about the fundamentals but rather about harmonics. (Constant Q means that each band’s frequency width remains the same for small boosts as well as large boosts), giving you unparalleled control and sensitivity. Its constant Q design make adjustment easy and intuitive. The Whirlwind 10 band equalizer draws on years of equalizer experience to create a studio quality equalizer for live performance and recording. Tour proven, sonically superior, and American made. That said, we are proud to announce the release of the THE PERFECT TEN and THE BASS TEN EQs. Gambacurta has been designing audio products for over 35 years at MXR, ART and Whirlwind. The new Whirlwind 10 band equalizers were designed by Tony Gambacurta, affectionately referred to as the Guru of modern EQs. Assistive Listening & Hearing Augmentation.

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